![]() ![]() ![]() ![]() You can delay the sound with Relay, and I’ll show you how. Your first option is to delay one of the piano signals, using your ears to judge what sounds best. If they’re not, the old polarity swap only affords you two choices: bad and worse. The go-to option is to flip the polarity on one of the channels, but this really only works when the mics are completely out-of-phase with each other. You can fix this problem in a few different ways. This is due to phase canceling-a phenomenon that can occur when microphones are not equidistant to the source. If they’re not perfect, you might wind up with a hollow unnatural sound. This allows you to paint a vast and wide sonic picture.Īny time an instrument is mic’ed in stereo, you ought to check the phase relationship between the two mics. If you’re familiar with mixing drums, this tip is going to make a lot of sense: many engineers capture the piano with two microphones in order to give you a stereo capture. Achieve a full sound by getting the mics in phase And don’t hesitate to use these effects on things other than drums and rhythm parts, you might be surprised at their versatility.4. Aside from adding punch and snap, transient designers can be approached like a sound design tool, capable of unusual results not achievable with other sorts of processing. Sometimes two knobs are better than ten, and other times not. While M/S processing and multiband capabilities are excellent features, you may not need them for every situation. The Compress, Transient, Exciter and Gate tabs contain crossover options for multiband processing. The options for each of these modules are the same, but affect the individual module of that Options tab. As in most processing categories, certain plugins have unique strengths and the process of transient shaping is definitely context-specific. The Module Options refer to the Option tabs for the Compressor, Transient Shaper, Exciter, and Gate. I have tried to present a variety of plugins that use different approaches to transient designing and feature sets that range from exhaustive to extremely basic. SPL Transient Designer Plus – Plugin Alliance.Below is a list of others on the market not listed above: While all the products above I have personally used, there are many others not mentioned here and I encourage reader feedback if there are those with particular favorites. Transify – Reveal Transient Processor from JST Price: $299 (bundled with Neutron 2 Standard) Once Neutron has found a stable and transparent place for the cutoffs, the Learn function will disable automatically. In Learn Mode the plugin searches for natural crossover cutoff points using a few criteria, including minima in the spectrum. When enabled, the LFE Bypass will ensure that any audio information in the LFE channel is passed through unprocessed, but with the correct latency compensation. The best mode for adding large amounts of sustain.Īn LFE bypass button appears when Neutron is loaded in either a 5.1 or 7.1 surround configuration. LOOSE: Slowest transient recovery time for all types of material. Fairly quick attack and medium release time when recovering from one transient to the next. BALANCED: Middle ground of the three modes. Most accurate and responsive when adding or removing attack to a signal. Narrator The transient shaper is another powerful dynamics processor that features controls for shaping attack and release or sustain of different elements. PRECISE: Fastest recovery time to the next transient. Price: $39Ī powerful multiband transient shaper with selectable response curves (sharp, medium, smooth), a summing function that will mono-ize the input, polarity inversion button and three different shaping algorithms: It is part of Kilohearts Snapin Eco-System I recently reviewed here. kiloHearts Transient Shaperĭon’t let the low price fool you, this is an extremely responsive and ultra simple plugin with mouse-over help comments that will have you getting great results in seconds. Then it’s just a matter of picking the one that suits your needs.īelow are some excellent choices you might consider (in no particular order). If you’ve neglected using a transient designer in the past, give one a try and I guarantee you’ll be hooked. More feature-rich plugins will add multiband capability or surgical FFT-based manipulation. I’ve had great success adding bite and punch to synth parts and truly any transient-based sample can benefit from this sort of processing.įundamentally, these effects operate by giving the user separate control over the attack and decay portions of a transient. And there is no need to limit their use to percussion parts. Transient Designer plugins are really fun! They can instantly transform a dull and lifeless drum or percussion part into something that really pops, creating a dynamic and living part that can give you that cutting edge you’ve been looking for. ![]()
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